Meet Kamau Kamau and Ian Wright, two Nairobi-based creative coders whose work bridges the gap between traditional African culture and the digital frontier of NFTs. A Creative Partnership Forms Kamau's first steps in crypto came as early as 2015, marked by lukewarm experiences throughout his initial years in...
Take a look back into a fiery past rife with family secrets, rich documentation, life and loss with ‘GENERATIVE SMOKE’ a generative art extension of ‘Where There’s Smoke’, an immersive storytelling project by Lance Weiler (aka culturehacker) that spans exhibitions, virtual experiences and live performances. In collaboration with LORDOF,...
Journey through the fast-paced world we inhabit and explore the dynamic spaces we navigate daily through the code of Lionel Radisson also known as Makio135 in 'Faster Than Light’. Inspired by the constant motion and exploration inherent in our lives, each loop captures the essence of our perpetual journey...
-Tell us a bit about your background in the creative industry and how you have become a creative coder and get involved with NFTs? My creative journey began when graduating in architecture and subsequently working as a concept renderer. This experience allowed me to develop a strong foundation in design...
To me, I think practicing/collecting generative art is fun because the artist has two sides of thing going 1. The technical side of coding. 2. The artistic skills or artistry as you want to see in “artist”, to create timeless beautiful art and trigger your senses etc. First the...
Born in 1924, Vera Molnár has always had a focus on minimalism, numbers, and creating systematic ways in which she creates art- often creating pre-defined rule sets according to which she transposed shapes. She called the method her “machine imaginaire.” Molnár’s breakthrough came in 1968 when she finally got...
